Global Chart Report
----------------------------------
'Apt.' reigns a
16th week at no.1
Sunday, February 16, 2025
by Fred Chuchel, Dresden
What a difference! One year ago, in
the calendar week 2024, Tate McRae's
'Greedy' topped the Global Track
Chart with 230,000 points. This week
even the eighth place has more
points (Gracie Abrams' 'That's So
True' with 231,000) and the current
number one has more than twice as
many points:
'Apt.'
by South Korean singer, songwriter
Rosé in collaboration with Bruno
Mars keeps the crown for an
impressive 16th non-consecutive week
with another 477,000 points, an 4%
decrease compared to last week. The
song gets the longest stay at the
summit since Miley Cyrus 'Flowers'
held that position for 24 weeks two
years ago.
Broken
down by segments, 'Apt.' generated
334,000 points by streaming this
week (down 4%), 39,000 points by
sales (down 5%), and 104,000 points by
airplay (down 2%). 'Die With A Smile'
by Lady GaGa & Bruno Mars follows
still at the runner-up slot with
467,000 points (down 2% with
358,000 points by streaming, 41,000
points
by sales, and
68,000 points by
airplay).
Without 'Apt.' the Grammy-decorated tune
would have been number one now for a
23rd week. Furthermore it stays a
17th week at no.2, never before in
history a song spent such a long
time at the runner-up slot. 'Die
With A Smile' has a big potential to
come dangerously close to the top
spots of the
ALL TIME CHART,
where Elton John's 'Candle In The
Wind 1997' leads since 27 years with
a total of 21,314,000 points. The
Weeknd's 'Blinding Lights' from 2019
ranks there at the runner-up slot
with 21,290,000 points and Mariah
Carey's eternal carol 'All I Want
For Christmas Is You' from 1994
holds no.3 with 19,433,000 points.
Kendrick Lamar is the big winner of
the week, after his performance at
the Super Bowl Halftime Show and the
Grammy Awards.
His famous diss track 'Not Like Us'
is the most decorated song in Grammy
Awards history, sweeping all five of
its nominations at the 67th
ceremony: Record of the Year, Song
of the Year, Best Rap Performance,
Best Rap Song, and Best Music Video.
The smash placed 25 weeks inside the
Top 40 last year and ranked at no.21
on the Year-End Chart of that year
with 4,752,000 points. This week it
catapults back from no.27 to no.3
with 358,000 points, a massive 201%
boost with 284,000 points by
streaming, 68,000 points by sales,
and 6,000 points by airplay. And
three collabs with singer /
songwriter SZA rush forward,
'Luther' climbs back to its previous
high at no.5 with 290,000 points,
'All The Stars' from 2018 turns back
at no.18 with 165,000 points, and
'30 For 30' appears for the first
time at no.36 with 99,000 points. Outside
our current Top 40 waiting among
other 'Capaz (Merengueton)' by Alleh
& Yorghaki at no.46 and 'The Days (Notion
Remix)' by Chrystal feat. Notion at
no.56 for their first appearance on the
hitlist. Kendrick Lamar returns at
the summit of the Global Album Chart
for a second week with his sixth
studio album 'GNX'. The set started
in the calendar week 49, 2024, with
391,000 equivalent sales. Now it
returns to the pole position with
261,000 consumption units (114,000
points by streaming + 147,000 points
by sales). Rounds out the top three
are two albums from South Korea:
'Ive Empathy' by the girl group Ive
bows at no.2 with 248,000 equivalent
sales and 'Caligo Pt.1' by the
virtual band Plave follows at no.3
with 234,000 points. And now, as every week,
additional stats from outside the
current Global Album Top 20 in
alphabetic order, the first figure
means last week's sales, the second
figure the total sales: '1989' by
Taylor Swift 11,000 / 16,598,000,
'1989 (Taylor's Version)' by Taylor
Swift 28,000 / 6,531,000, '21' by
Adele 21,000 / 33,552,000, '25' by
Adele 16,000 / 25,470,000, '30' by
Adele 11,000 / 6,707,000, 'After
Hours' by The Weeknd 30,000 /
10,544,000, 'Cowboy Carter' by
Beyoncé 25,000 / 1,719,000, 'Divide'
by Ed Sheeran 21,000 / 21,557,000,
'Emails I Can't Send' by Sabrina
Carpenter 27,000 / 2,030,000,
'Equals' by Ed Sheeran 8,000 /
6,301,000, 'Eternal Sunshine' by
Ariana Grande 28,000 / 2,663,000,
'Evermore' by Taylor Swift 17,000 /
6,494,000, 'Fireworks &
Rollerblades' by Benson Boone 52,000
/ 2,228,000, 'From Zero' by Linkin
Park 31,000 / 954,000, 'Future
Nostalgia' by Dua Lipa 14,000 /
9,368,000, 'Guts' by Olivia Rodrigo
33,000 / 4,358,000, 'Harry's House'
by Harry Styles 12,000 / 7,358,000,
'Heroes & Villains' by Metro Boomin
18,000 / 4,645,000, 'Lover' by
Taylor Swift 37,000 / 11,595,000,
'Midnights' by Taylor Swift 29,000 /
12,152,000, 'Muse' by Jimin 33,000 /
1,714,000, 'One Thing At A Time' by
Morgan Wallen 40,000 / 8,679,000,
'Red (Taylor's Version)' by Taylor
Swift 17,000 / 6,431,000, 'Starboy'
by The Weeknd 34,000 / 8,651,000,
'Stick Season' by Noah Kahan 46,000
/ 4,320,000, 'The Death Of Slim
Shady (Coup De Grâce)' by Eminem
12,000 / 1,493,000, 'The Highlights'
by The Weeknd 43,000 / 9,366,000,
'Un Verano Sin Ti' by Bad Bunny
39,000 / 8,407,000, 'Utopia' by
Travis Scott 27,000 / 5,086,000, and
'When We All Fall Asleep, Where Do
We Go?' by Billie Eilish 24,000 /
12,384,000.
GLOBAL NO.1 - 70 YEARS
AGO
... Originally "Sincerely" was a doo-wop
song by the Moonglows and 1954 a minor hit in the United States.
The best-selling version of the song was a traditional pop cover
recorded by the McGuire Sisters, which reached the no.1 position
and was eventually certified as a gold record for one million
copies sold. By the way, co-writing credits were shared by
Moonglows band member Harvey Fuqua and disk jockey Alan Freed.
After it became known that Freed has inappropriately claimed
songwriter credits for songs by bands he promoted (associated
with his downfall in a payola investigation years later), Fuqua
noted that Freed had in fact contributed to the songwriting for
"Sincerely", thus his claim to a songwriting credit in this case
was legitimate.
USA
Billboard Report
(excerpt)
Kendrick Lamar's
'Not Like Us' surges back to
No. 1
Tuesday, February 18, 2025
by Keith Caulfield & Gary Trust,
Los Angeles
The song reigns for the
first time since July. The
scathing diss track – which
on Feb. 2 won the Grammy
Awards for record and song
of the year, among its five
victories – adds a third
week
atop the Hot 100. It debuted
at No. 1 on
the May 18, 2024, chart and
became a pop-culture
fixture, spending the next
eight weeks between Nos. 2
and 6. It was further
boosted by Lamar’s
Juneteenth The Pop Out:
Ken & Friends concert – in
which he performed the song
five times. It rebounded for
a second week at no. 1 on
the July 20 chart, following
the July 4 premiere of
its official video. “Not
Like Us” leads the Hot 100
again after a break of 29
chart weeks (and 30 total,
encompassing a week off the
chart while holiday hits
decorated the ranking) – the
third-longest break between
time at No. 1 in the chart’s
66-year history (surpassing
two hits that waited nine
weeks each between stays on
top: Olivia Rodrigo’s
"Vampire" in
2023, and Miley Cyrus’
"Wrecking Ball" in
2013). “Not Like Us,” on
Interscope, totaled 49
million official streams,
20.5 million radio airplay
audience impressions and
33,000 sold in the U.S. Feb.
7-13. It surged by 156%, 31%
and
432% in the metrics,
respectively,
week-over-week. The track
soars 9-1 for its seventh
week atop the Streaming
Songs chart, and its first
since the July 27, 2024,
survey, as it logs its
sixth-best weekly streaming
total; 10-1 for its first
week atop Digital Songs
Sales,
where, with its best sales
week, it becomes Lamar’s
third leader; and 42-30 on
Radio Songs, after it
reached No. 7 in August.
Joining “Not Like Us” at No.
1 on the Hot 100, Lamar’s
“Luther,” featuring SZA,
ascends 3-2 for a new best
and “TV Off,” featuring
Lefty Gunplay, jumps 10-3,
after reaching No. 2. Lamar
performed the songs as the
eighth, 10th and 11th songs
during his halftime set.
“Luther” drew 42.7 million
streams (up 94%) and “TV
Off,” 35.7 million (up 77%),
Feb. 7-13. Lamar previously
monopolized the Hot 100’s
top three on the chart dated
Dec. 7, with, at Nos. 1-3,
respectively, “Squabble Up,”
“TV Off” and “Luther.” In
addition to his two triples,
The Beatles boasted the top
three for five weeks in
1964, followed by Ariana
Grande (one week, 2019),
Drake (three, 2021-23) and
Taylor Swift (three,
2022-24). Chappell Roan’s
“Pink Pony Club” races 18-9
on the Hot 100, led by 20.7
million in radio reach (up
11%) and 20.1 million
streams (up 10%). SZA’s “30
for 30,” featuring Lamar,
roars 22-10 on the Hot 100,
with 21.4 million streams
(up 43%) 16.5 million in
airplay audience (up 10%)
and 1,000 sold (up 75%).
Lady Gaga and Bruno Mars’
“Die With a Smile” drops to
No. 4 on the Hot 100
following five
nonconsecutive weeks at No.
1 beginning in January. It
notches a second week atop
Radio Songs (63.5 million,
up 2%). Lamar also ranks in
the Hot 100’s top 10 with
“Squabble Up” (20-5), led by
its 85% gain to 27.8 million
streams following its
inclusion in his halftime
show setlist. Billie
Eilish’s “Birds of a
Feather” falls 4-6 on the
Hot 100, after hitting No.
2. Rosé and Bruno Mars’
“Apt.” descends 6-7 on the
Hot 100 after reaching No.
3. Plus, Shaboozey’s “A Bar
Song (Tipsy)” wobbles 5-8 on
the Hot 100, following its
record-tying 19 weeks at no.
1 beginning last July.
Kendrick Lamar's GNX jumps
back to No. 1 on the
Billboard 200 albums chart,
for a second week atop the
list (rising 4-1 on the
survey dated Feb. 22),
following his Super Bowl
halftime show (Feb. 9) and
the set’s release on
physical formats. (It was
previously only available to
stream, and to purchase as a
digital download album.)
According to Luminate, of
the 236,000 equivalent album
units earned by GNX in the
week ending Feb. 13 in the
U.S., SEA units comprise
117,000 (up 86%; equaling
161.01 million on-demand
official streams of the
set’s songs; it jumps 4-1 on
Top Streaming Albums), album
sales comprise 116,000 (up
10,100%; it reenters at No.
1 on Top Album Sales for its
first week at No. 1 on that
chart) and TEA units
comprise 3,000. The set’s
236,000 units earned mark
its largest week since it
debuted at No. 1 on the Dec.
7, 2024-dated chart with
319,000. With GNX selling
116,000, that marks Lamar’s
largest sales week for an
album since DAMN. debuted
with 353,000 sold in its
first week (chart dated May
6, 2017). Of GNX’s 116,000
sold, vinyl sales comprise
87,000 — Lamar’s best week
ever on vinyl. GNX was
released on physical formats
for the first time on Feb.
7, on CD, cassette and five
vinyl variants. As Lamar has
three albums concurrently in
the top 10 on the Billboard
200, he’s the first living
male artist to achieve that
feat since Herb Alpert on
the Dec. 24, 1966-dated
chart (when he, along with
the Tijuana Brass, had three
titles in the top 10). The
most recent act, overall,
with at least three albums
in the top 10 was Taylor
Swift on the Dec. 9, 2023,
chart, when she had five in
the region. GNX is currently
in its 12th consecutive week
on the chart and has yet to
depart the top five on the
weekly tally. Former No. 1
DAMN. drives 29-9 on the
Billboard 200 with 39,000
equivalent album units
earned (up 93%) and good
kid, m.A.A.d city jumps
27-10 with 37,000 units (up
71%). DAMN. spent four weeks
atop the list in 2017, and
it was last in the top 10 on
the March 17, 2018-dated
chart, when it ranked at No.
9. The good kid album peaked
at No. 2 in 2012 and was
last in the top 10 on the
Nov. 24, 2012-dated chart,
when it placed at No. 9.
SZA, who was a special guest
performer during Lamar’s
halftime show, sees her
former No. 1 SOS climb 3-2
on the latest Billboard 200
with 109,000 equivalent
album units earned (up 33%).
The album was reissued on
Feb. 9 with four additional
tracks. The Weeknd’s Hurry
Up Tomorrow falls 1-3 on the
Billboard 200 in its second
week (101,000 equivalent
album units; down 79%), Bad
Bunny’s chart-topping Debí
Tirar Más Fotos descends 2-4
(78,000; down 17%) and
Chappell Roan’s The Rise and
Fall of a Midwest Princess
climbs 6-5 (59,000; up 19%).
Billie Eilish’s Hit Me Hard
and Soft falls 5-6 (56,000
equivalent album units
earned; up 6%), Sabrina
Carpenters’s former leader
Short n’ Sweet is steady at
No. 7 (51,000; up 5%) and
Morgan Wallen’s
chart-topping One Thing at a
Time is a non-mover at No. 8
(41,000; down 8%).
Record Of The Month
Federico Olivieri, better
known as Olly, won the
Sanremo Music Festival 2025
with the song 'Balorda
Nostalgia'
and he automatically
receives the ticket for the
Eurovision Song Contest.
United Kingdom
Music Week Report
(excerpt)
Lola Young's 'Messy' is
still number one
Monday, February 17, 2025
by Alan Jones, London
Messy is No.1 for Lola Young
for the fourth straight
week, despite consumption
easing 8.37% to 51,751 units
(207 7-inch singles, 2,193
digital downloads and 49,351
sales-equivalent streams).
Hitting ACR simultaneously,
and thus having the value of
their streams halved, three
of last week’s top five are
no longer in that region of the chart, with
Apt falling 2-8, (23,894 sales) for Rosé & Bruno Mars, That’s So True ebbing
3-14 (20,338 sales) for Gracie Abrams and Sailor Song sinking 5-29 (13,973
sales) for Gigi Perez.
With last week’s No.10, The Door by Teddy Swims, similarly stricken – falling to
No.43 (10,198 sales) – the Top 10 is refreshed, with three songs making their
first appearances therein, three returning (one at a new peak) and Abracadabra –
which debuted at No.6 last week for Lady Gaga - surging to No.3 on consumption
of 42,973 units on its first full week of availability.
Gaga’s other current hits experience mixed fortunes: Bruno Mars collaboration
Die With A Smile ebbs 13-19, (19,976sales) while Disease bounces 68-48 (9,154
sales). They peaked at No.2 and No.7, respectively. All three songs are from
Gaga’s upcoming album, Mayhem, and provide her with her first streak of three
consecutive Top 10 hits since Born This Way, Judas and The Edge Of
Glory in
2011.
24-year-old Californian singer/songwriter and internet personality Alex Warren
had solid Top 40 hits with Carry You Home and Burning Down last year but powers
into the Top 10 for the first time with new song Ordinary (No.7, 29,884 sales)
becoming the highest of eight Top 75 debuts this week. Both earlier hits rally
too, with Carry You Home, which peaked at No.23, climbing 32-28 (14,160 sales)
while Burning Down surges 49-34 (12,013 sales), surpassing its previous peak of
No.35, achieved on debut 20 weeks ago.
Released in April 2020, and previously peaking at No.13 last October, Pink Pony
Club bounced 26-14 after Chappell Roan was named as Best New Artist at the
Grammy Awards and performed the track earlier this month. It maintains its
impetus this week, jumping to No.4 (35,934 sales) to become Roan’s third Top 10
entry. Roan’s first hit, Good Luck Babe! (28-22, 16,296 sales) and Red Wine
Supernova – a re-entry at No.32, just one notch below its peak – also climb.
Fellow Grammy winner Doechii (Best Rap Album) makes the Top 10 for the first
time in her career with Denial Is A River powering 16-9 (23,490 sales), and
secures her fourth Top 75 entry with Nissan Altima (81-66 7,850 sales).
Meanwhile, Kendrick Lamar’s Superbowl LIX halftime performance galvanises his
diss track Not Like Us, which surges 27-2 (45,822 sales), surpassing the No.6
peak it scaled 39 weeks ago. It also precipitates rebounds for SZA
collaborations Luther (34-10, 23,276 sales) and All The Stars, a re-entry at
No.11 (21,871 sales). And, as secondary artist, he also reaches a new peak with
another SZA collaboration, 30 From 30, which jumps 73-39 (11,225 sales),
improving on its previous best of No.60. Not to be outdone, SZA has five songs
in the Top 75, the three Lamar collabs plus the rallying BMF (56-51, 9,073
sales) and new hit Open Arms (feat. Travis Scott, No.74, 6,900 sales). Open Arms
is SZA’s 25th hit, Scott’s 45th.
No.1 last March, Beautiful Things is back in the Top 10 for the first time in 37
weeks for Benson Boone, vaulting 33 -6 (30,046 sales). He lost out to Chappell
Roan on the best new artist Grammy but is nominated for Best International
Artist, with Beautiful Things up for Best International Song at the upcoming
Brit awards.
Rounding out the Top 10: The Days (4-5, 31,775 sales) by Chrystal.
Overall singles consumption is down 0.46% week-on-week to 30,259,353 units,
3.69% above same week 2024 consumption of 29,181,901 units. Paid-for sales are
down 2.49% week-on-week at 258,530, 11.52% below same week 2024 sales of
292,202.
Bigger than Madonna: Taylor Swift racks up the 13th No.1 album of her career,
with Lover (Live From Paris) making a belated Top 75 debut two years to the week
after its initial release. In so doing, she eclipses Madonna’s tally of 12 to
become the most female solo artist with most No.1 albums in chart history She
now ranks joint third among all artists - alongside Elvis Presley – for most
No.1 album with only The Beatles and Robbie Williams (15 apiece) ahead of her.
First released in a very limited double vinyl, heart-shaped edition exclusive to
her website for Valentine’s Day 2023, when it debuted and peaked at No.90 (1,618
sales), Lover (Live From Paris) was deleted before they shipped but was briefly
made available again for pre-order on the website recently in a larger but still
limited edition, with consequent sales of 46,812 copies in the latest frame
being the highest DUS for a No.1 album in 14 weeks.
That fact is all the more remarkable since the album is only available on vinyl
with no other physical formats available, and no streaming. The last vinyl album
to sell more copies in a week was (natch) Swift’s last new studio album, The
Tortured Poets Department, which attracted sales of 66,388 copies in that format
when it debuted at No.1 on consumption of 270,091 units in April 2024. Lover
(Live From Paris) is also the first album to reach No.1 without a streaming
element since Swift’s own Reputation opened at the summit in November 2017 on
sales of 83,648 units (41,853 CDs, 41,795 digital downloads).
Irish rock quartet Inhaler have yet to have a hit single but their fanbase
continues to build, with their third album, Open Wide, achieving their highest
first week sale yet – 19,584 units - as it debuts at No.2. Inhaler hit the
ground running with 2021 debut It Won’t Always Be Like This, which topped the
chart on debut on consumption of 17,728 units. 2023 follow-up, Cuts & Bruises,
sold 27 copies more on debut in 2023, but had to settle for second place.
Comprising vocalist and guitarist Elijah Hewson, guitarist Josh Jenkinson and
drummer Ryan McMahon (all 25) and 24-year-old bassist Robert Keating, the Dublin
band make it three No.1s in a row in their native Ireland.
The rest of the Top 10: Hurry Up Tomorrow (1-4, 10,584 sales) by The Weeknd,
Short n’ Sweet (3-5, 9,945 sales) by Sabrina Carpenter, The Rise And Fall Of A
Midwest Princess (6-6, 8,977 sales) by Chappell Roan, Can’t Rush Greatness (2-7,
8,540 sales) by Central Cee, SOS (7-8, 8,311 sales) by SZA, Hit Me Hard And Soft
(8-9, 7,916 sales) by Billie Eilish and The Highlights (4-10, 7,477 sales) by
The Weeknd.
Overall album sales are up 1.19% week-on-week at 2,585,280 units, 6.29% above
same week 2024 sales of 2,432,250. Physical product accounts for 359,376 sales,
13.90% of the total. With all of the top three selling more than 5,000 copies on
vinyl for the first time this century, vinyl sales are up 44.54% week-on-week at
177,296 units. Vinyl outsold CDs (176,088 sales) for the first time since the
final week of 2023 (200,198 vs. 199,591) and for only the third time in the
1,311 weeks that have thus far elapsed in the 21st century.