Global Chart Report
----------------------------------
'Die With A
Smile' tops a 10th week
Sunday, April 13, 2025
by Fred Chuchel, Dresden
In the calendar week 37, 2024 (dated
to September 14),
'Die With A Smile' by
Lady GaGa & Bruno Mars led the
Global Track Chart for the first
time. Now in April 2025 the song
reigns the tally for a tenth
non-consecutive week with 331,000
points, a 4% decline compared to
the previous week. Broken down by
sectors 'Die With A Smile' gets
243,000 points by streaming (down
4%), 35,000 points by sales (down
2%), and 53,000 points by airplay
(down 4%).
'Apt.' by
South Korean singer,
songwriter Rosé in collaboration
with Bruno Mars ranks still at the
runner-up slot, after 21 weeks at
number one, with 317,000 points
(down 6%, with 209,000 points by
streaming, 32,000 points by sales,
and 76,000 points by airplay).
Without 'Apt.', the Grammy-decorated
'Die With A Smile' would have been
number one now for an unbelievable
31st week! With a total of
14,551,000 points the latter climbs
at no.13 of the
ALL TIME CHART.
The
song has a big potential to come
dangerously
close to the top
spots there,
where Elton John's 'Candle In The
Wind 1997' leads since 27 years with
a total of 21,314,000 points. The
Weeknd's 'Blinding Lights' from 2019
ranks at the runner-up slot on that
list with 21,290,000 points and
Mariah Carey's eternal carol 'All I
Want For Christmas Is You' from 1994
holds no.3 with 19,433,000 points.
Also Billie Eilish's
'Birds Of A Feather' repeats at the no.3
position, there are the same three
songs in the top three as in 14
(non-consecutive) weeks before, this
is a historic record! The song gets
another 221,000 points in its 47th
week on the hitlist (up 0,5%,
with 167,000 points by streaming,
25,000 points by sales, and 29,000
points by airplay). With a total of
13,726,000 points it's the biggest
success in Billie Eilish's career.
Outside
our current Top 40 waiting among
other 'Morena' by Neton Vega & Peso
Pluma at no.45, 'El
Mayor De Los Ranas' by Victor
Valverde feat. JR Torres at no.49,
and 'All The Way' by BigXthaPlug feat.
Bailey Zimmerman at no.58 for their first appearance on the
hitlist. The Japanese boy band Jo1
catapults atop this week's Global
Album Chart with their first
compilation album 'Be Classic'. The
set starts with 298,000 equivalent
sales, most of these are physical
sales. Ariana Grande's 'Eternal
Sunshine' led last week's tally and
slides to the runner-up slot
currently with another 131,000
consumption units (109,000 points by
streaming + 22,000 points by sales),
a total of 3,19 million so far. The
resurrection is owed by a deluxe
reissue of the album. SZA's 'SOS' it's gradually becoming
a classic. Placed for the first time
in December 2022, rounds out still the
top three with another 105,000 equivalent
sales (101,000 points by streaming +
4,000 points by sales). It's the
97th week for the set on our tally
with a total of 9,98 million sales
so far. And now, as every week,
additional stats from outside the
current Global Album Top 20 in
alphabetic order, the first figure
means last week's sales, the second
figure the total sales: '1989' by
Taylor Swift 10,000 / 16,678,000,
'1989 (Taylor's Version)' by Taylor
Swift 23,000 / 6,726,000, '21' by
Adele 18,000 / 33,711,000, '25' by
Adele 14,000 / 25,591,000, '30' by
Adele 10,000 / 6,787,000, 'After
Hours' by The Weeknd 24,000 /
10,745,000, 'Brat' by Charli XCX
48,000 / 3,063,000, 'Chromakopia' by Tyler,
The Creator 34,000 / 1,909,000, 'Cowboy Carter' by
Beyoncé 14,000 / 1,852,000, 'Divide'
by Ed Sheeran 23,000 / 21,740,000,
'Emails I Can't Send' by Sabrina
Carpenter 24,000 / 2,223,000,
'Equals' by Ed Sheeran 9,000 /
6,370,000,
'Evermore' by Taylor Swift 12,000 /
6,599,000, 'Fireworks &
Rollerblades' by Benson Boone 40,000
/ 2,574,000, 'From Zero' by Linkin
Park 34,000 / 1,173,000, 'Future
Nostalgia' by Dua Lipa 20,000 /
9,500,000, 'Guts' by Olivia Rodrigo
36,000 / 4,617,000, 'Harry's House'
by Harry Styles 11,000 / 7,449,000,
'Heroes & Villains' by Metro Boomin
13,000 / 4,761,000, 'I've Tried
Everything But Therapy (Part 1)' by
Teddy Swims 48,000 / 2,553,000,
'Incómodo' by Tito Double P 44,000 /
1,804,000, 'Lover' by
Taylor Swift 31,000 / 11,864,000,
'Midnights' by Taylor Swift 25,000 /
12,366,000, 'Muse' by Jimin 25,000 /
1,954,000, 'One Thing At A Time' by
Morgan Wallen 40,000 / 8,988,000,
'Red (Taylor's Version)' by Taylor
Swift 14,000 / 6,553,000, 'Rosé' by
Rosie 42,000 / 1,487,000, 'Starboy'
by The Weeknd 30,000 / 8,905,000,
'Stick Season' by Noah Kahan 40,000
/ 4,654,000, 'The Highlights' by The
Weeknd 33,000 / 9,655,000, 'The Tortured Poets
Department' by Taylor Swift 51,000 /
9,906,000, 'Un Verano Sin Ti' by Bad Bunny
43,000 / 8,728,000, 'Utopia' by
Travis Scott 22,000 / 5,281,000, and
'When We All Fall Asleep, Where Do
We Go?' by Billie Eilish 24,000 /
12,583,000.
GLOBAL NO.1 - 30 YEARS
AGO
... "Back For Good" was released on March 27, 1995,
as the second single from the band's third studio effort Nobody Else
(1994). The fantastic blue-eyed soul ballad won British Single Of The
Year at the 1996 Brit Awards. Gary Barlow claimed he wrote the song in
only fifteen minutes. However, "Back For Good" catapulted atop the
hitlist in United Kingdom with nearly 350,000 single sales in its
initial week, so this made it one of the fastest selling singles of the
year there. Furthermore the song went to the summit in Germany, Canada,
Australia, Spain, Norway, Ireland, and reached the Top 10 in many other
countries, even in the United States.
USA
Billboard Report
(excerpt)
'Luther' leads Hot 100
for an eighth week
Tuesday, April 15, 2025
by Keith Caulfield & Gary Trust,
Los Angeles
Kendrick Lamar and SZA’s
“Luther”
leads the Billboard Hot
100 songs chart for an
eighth total and consecutive
week. The single, whose
title celebrates late R&B
legend Luther Vandross,
who is sampled on the track,
became Lamar’s
sixth No. 1 and SZA’s third.
Lamar and SZA each extend
their longest career Hot 100
reigns with the song.
“Luther” totaled 63.1
million radio airplay
audience impressions (up 3%
week-over-week), 22.7
million official streams
(down 7%) and 2,000 sold
(down 8%) in the U.S. April
4-10. The song is expected
to sport gains on next
week’s charts following the
Friday (April 11) premiere of
its official video. “Luther”
leads the Radio Songs chart
for a second week and dips
to No. 3 after six weeks
atop Streaming Songs and
21-23, after reaching No. 4,
on Digital Song Sales.
Drake’s “Nokia” rises 3-2
for a new Hot 100 high. It
drew 23.4 million streams,
up 9%, April 4-10, after its
official video premiered March
31. It’s also up 28% to 19.7
million in airplay audience
and 20% to 8,000 sold. The
track becomes Drake’s
record-extending 24th top
two Hot 100 hit, lifting him
over The Beatles and Mariah
Carey for the most in the
chart’s
66-year history.
BigXthaPlug’s “All the Way,”
featuring Bailey Zimmerman,
launches at No. 4 on the Hot
100 with 24.1 million
streams, 30,000 in airplay
audience and 8,000 sold in
its first week, following
its April 4 release. It
begins atop Streaming Songs
and Digital Song Sales,
marking each act’s first No.
1 on each ranking. The
genre-blending hit is the
first Hot 100 top 10 for
Dallas native BigXthaPlug,
who previously reached a No.
63 best with his first chart
entry, “Mmhmm,” in April
2024. Zimmerman scores his
second top 10, after “Rock
and a Hard Place” (No. 10,
April 23). “All the Way”
marks the first Hot 100 top
10 for the UnitedMasters
label. Alex Warren’s
“Ordinary” surges 14-7 on
the Hot 100 to become the
singer-songwriter’s first
top 10. It totaled 20.4
million streams (up 9%), 8.3
million in radio reach (up
71%) and 6,000 sold (up 19%)
in the tracking week.
Elsewhere in the Hot 100’s
top 10, Lady Gaga and Bruno
Mars’ “Die With a Smile”
slips 2-3, following five
nonconsecutive weeks at No.
1 beginning in January.
Chappell Roan’s “Pink Pony
Club” is stable at its No. 5
Hot 100 best and Shaboozey’s
“A Bar Song (Tipsy)” drops
4-6 on the Hot 100,
following its record-tying
19 weeks at No. 1 beginning
last July. Teddy Swims’
“Lose Control,” which led
the Hot 100 for a week in
March 2024 – and became the
year’s No. 1 song – retreats
6-8. It adds an 86th week on
the list overall, the
fourth-longest residence in
the chart’s history, below
only Glass Animals’ “Heat
Waves” (91 weeks, in
2021-22); The Weeknd’s
“Blinding Lights” (90 weeks,
2019-22); and Imagine
Dragons’ “Radioactive” (87
weeks, 2012-14). Morgan
Wallen “I’m the Problem”
keeps at No. 9 on the Hot
100, after it started at its
No. 2 high in February, and,
rounding out the top 10,
Benson Boone’s “Beautiful
Things” rises 11-10, after
it reached a No. 2 peak in
March 2024. Playboi Carti’s
Music returns to No. 1 on the Billboard 200 albums chart (dated April 19),
rising one spot, with 64,000 equivalent album units earned in the U.S. in the
week ending April 10, according to Luminate. Of that sum, 96% was driven by
streaming activity.
With Music earning 64,000 units in the latest tracking week, that marks the
smallest weekly sum for a No. 1 album in over a year, since the Jan. 20,
2024-dated chart, when Morgan Wallen’s One Thing at a Time was tops with 61,000
units.
Of the 64,000 equivalent album units earned by MUSIC in the week ending April
10, SEA units comprise 61,500 (down 27%; equaling 84.61 million on-demand
official streams of the set’s songs; it’s No. 1 for a fourth week on Top
Streaming Albums), album sales comprise 2,500 (down 59%; it falls 11-33 on Top
Album Sales) and TEA units comprise a negligible sum (down 44%). Ariana Grande's
Eternal Sunshine falls to No. 2 (56,500 equivalent album units; down 59%);
PartyNextDoor and Drake’s
$ome $exy $ongs 4 U rises 5-3 (56,000; down 3%); SZA’s
SOS steps 6-4 (54,000; down 4%); Kendrick Lamar’s
GNX dips 4-5 (53,000; down 9%); Sabrina Carpenter’s
Short n’ Sweet rises 7-6 (49,000; down 2%); Morgan Wallen’s
One Thing at a Time climbs 10-7 (44,500; down less than 1%); and Bad Bunny’s
Debí Tirar Más Fotos is a non-mover at No. 8 (42,500; down 5%). Elton John and
Brandi Carlile’s
first collaborative album, Who Believes in Angels?, debuts at No. 9 on the
Billboard 200, marking the 22nd top 10 set for John and the fourth for Carlile.
The set earned 40,000 equivalent album units in its opening week. Of that sum,
album sales comprise 36,500 (it debuts at No. 2 on Top Album Sales), SEA units
comprise 2,500 (equaling 3.54 million on-demand official streams of the set’s
songs) and TEA units comprise 500.
John and Carlile ushered in the release of the album with a flurry of media
appearances, including CBS News Sunday Morning (CBS, March 30), The Tonight Show
Starring Jimmy Fallon (April 3), Saturday Night Live (NBC, April 5) and the
concert special An Evening With Elton John and Brandi Carlile (CBS and
Paramount+, April 6), along with interviews with Apple Music’s Zane Lowe, NPR
and SiriusXM’s The Howard Stern Show, among other outlets.
Rounding out the top 10 of the latest Billboard 200 is a debut at No. 10 for
singer-songwriter Ethel Cain’s
2022 album Preacher’s Daughter. The set jumps onto the list with 39,000
equivalent album units earned (its best week yet), with 37,000 of that sum
driven by album sales (it debuts at No. 1 on Top Album Sales). SEA units
comprise 2,000 of the set’s total for the week (equaling 2.77 million on-demand
official streams of the set’s songs), while TEA units comprise a negligible sum.
The album was released on vinyl for the first time on April 4, marking its first
release on any physical format. It had previously only been available to
purchase as a digital download, and via streaming services. Vinyl sales comprise
essentially all of the set’s 37,000 copies sold in the latest tracking week –
the sixth-largest sales week for a vinyl album in 2025.
Record Of The Month
The song was
originally self-released by
American rapper and
songwriter Doechii to
YouTube
on November 10,
2019. It was re-recorded in
2025 following it gaining
traction on social media
platforms, being released to
streaming platforms on March
4, 2025. 'Anxiety' contains
a prominent sample of the
2011 song 'Somebody That I
Used To Know' by Gotye feat.
Kimbra.
United Kingdom
Music Week Report
(excerpt)
Alex Warren stays at number
one
Monday, April 14, 2025
by Alan Jones, London
Alex Warren’s Ordinary
continues to prove anything
but, securing a fourth
straight week at No.1, with
consumption increasing 2.75%
to 73,490 units (1,943
digital downloads and 71,547
sales-equivalent streams), a
new high for a No.1 single
in 2025. That is slightly
more than the combined
consumption
of Pink Pony Club – No.2 for the fourth time in total and
third week in a row with consumption up 6.08% at 37,111 for Chappell
Roan - and Azizam, which debuts at No.3 (35,988 sales) for Ed Sheeran.
It is the
second week in a row that Ordinary has had greater consumption than the
No.2 and No.3 songs added together. That’s quite rare – in 276 weeks in
the 2020s that have elapsed so far, that has been the case a total of 18
times. Prior to Warren it was achieved by LadBaby, Olivia Rodrigo (seven
times with two songs), Ed Sheeran, Adele (twice), Harry Styles, Miley
Cyrus (twice), Dave & Central Cee and, most recently, The Beatles.
Azizam is
the first single from Ed Sheeran’s upcoming album, Play. The highest of
six Top 75 debuts this week, it is, perhaps surprisingly, Sheeran’s
first Top 10 hit since Eyes Open debuted at No.1 on consumption of
60,265 units in 2023. Sheeran’s 77th Top 75 entry Azizam is also his
42nd Top 10 entry, and his 64th Top
40 hit. Among all UK solo acts, only
Cliff Richard has had more Top 10 entries.
Arriving
just three weeks after Emergence – the first single from their
eagerly-awaited fourth album Even In Arcadia – became their first hit,
debuting and peaking at No.17, mysterious masked duo/band Sleep Token
crash into the Top 10 with the album’s second preview track, Caramel.
Debuting at No.10 (23,013 sales), it is more eclectic and less heavy
than much of their output, and is a further indicator that Even In
Arcadia, which will be released on 9 May, will be their first No.1
album.
After
stalling last week at No.14, Show Me Love - the first hit for WizTheMC
(26-year-old Sanele Sydow, born in South Africa, raised in Germany and
resident in Canada) and Bees & Honey, a London-based collective – dashes
to No.8 (26,360 sales). The track has increased consumption eight times
in a row since its release in February.
The rest
of the Top 10: Anxiety (3-4, 31,258 sales) by Doechii, Beautiful Things
(4-5, 27,239 sales) by Benson Boone, Sports Car (6-6, 27,190 sales) by
Tate McRae, Busy Woman (7-7, 26,619 sales) by Sabrina Carpenter and The
Giver (8-9, 24,209 sales) by Chappell Roan.
Overall singles consumption is up 1.09% week-on-week to 31,820,374
units, its highest level for 15 weeks and 12.07% above same week 2024
consumption of 28,394,107 units. Paid-for sales are down 1.27%
week-on-week at 246,490, 8.13% below same week 2024 sales of 268,313.
Leadership of the chart changes hands for the 17th week in a
row, with Who Believes In Angels? debuting at No.1 for Elton
John & Brandi Carlile, on consumption of 22,843 units (9,682
CDs, 5,548 vinyl albums, 5,266 cassettes, 431 blu-rays, 1,004
digital downloads and 912 sales-equivalent streams).
The full-blown realisation of a working relationship that
started tentatively when the pair collaborated on Simple Things,
a track on John’s 2021 album The Lockdown Sessions, Who Believes
In Angels? consists of 10 tracks, with John and Carlile credited
as co-writers of them all, alongside John’s regular lyricist
Bernie Taupin and producer Andrew Watt.
It
is Elton John’s 10th No.1, 34th Top 10 and 49th Top 75 album in
a chart career spanning almost 55 years but only the second Top
75 entry for Carlile, whose previous appearance came in 2008,
when The Story, the second of her seven solo albums, reached
No.58.
Originally from Cambridgeshire, the London-based experimental
post-rock sextet Black Country, New Road have released three
albums so far, reaching the Top 5 and increasing first week
consumption every time. Their introductory album, For The First
Time, debuted and peaked at No.4 (6,350 sales) in 2021, with
follow-up Ants From Up There (No.3, 8,142 sales) following a
year later. Third album, Forever Howlong, now opens at No.3 on
consumption of 9,020 units.
Almost three years after its digital release, Preacher’s
Daughter enters the chart for the first time, after being issued
on two vinyl variants which account for all but 429 of the 5,635
sales which earn the set a No.10 debut this week for Ethel Cain.
The first album by 27-year-old Floridian singer/songwriter Cain,
Preacher’s Daughter has been something of a sleeper success,
with first week consumption of 18 units plumping to a to-date
tally of 37,175 units. Cain’s official follow-up, Willoughby
Tucker, I’ll Always Love You is due in August but she did
self-release a challenging 90-minute, nine-track low key
ambient/drone/spoken word digital set, Perverts, in January,
which is a world away from the anthemic rock of American
Teenager, the standout track from Preacher’s Daughter – Cain’s
most-consumed song, with a to-date tally of 104,229 units.
In
the Top 5 for the 33rd week in a row since its release, Sabrina
Carpenter’s Short N’ Sweet improves two notches to secure its
20th week in its favourite position, No.2, with consumption in
the week of 15,481 units pushing it to the threshold of double
platinum (600k) consumption, at 599,768 units.
The rest of the Top 10: Eternal Sunshine (3-4, 8,940 sales) by
Ariana Grande, +-=÷× Tour Collection (7-5, 8,471 sales) by Ed
Sheeran, 50 Years: Don’t Stop (9-6, 6,767 sales) by Fleetwood
Mac, The Highlights (12-7, 6,356 sales) by The Weeknd, Mayhem
(8-8, 6,245 sales) by Lady Gaga and The Rise And Fall Of A
Midwest Princess (13-9, 5,764 sales) by Chappell Roan.
Overall album sales are down 3.46% week-on-week at 2,565,706
units, 7.61% above same week 2024 sales of 2,384,366. Physical
product accounts for 280,100 sales, 10.92% of the total.